Smithsonian Secretary G. Wayne Clough talks about growing up in rural Georgia and the career path that led to his leadership of the largest museum complex in the world.

Lora Collins, supervisor of the model shop, demonstrates an essential step in the creation of exhibition mannequins—the replication of a human face.

As the Smithsonian's Senior Historic Preservation Officer, Amy Ballard, oversees historic renovations; but her career at the Smithsonian began much differently as a clerk typist with "other duties as assigned". Her oddest job was owlkeeper of the castle.

Introduction and comments from the co-curator, Olivia Cadaval.

Olivia Cadaval, co-curator of the México program, introduces the music participants.

Olivia Cadaval, Smithsonian curator, speaks in depth about the field research conducted for the México program.

The Vincente Sosa family are weavers who operate a workshop above their home in Teotitlan del Valle. Together they create rugs influenced by both traditional and modern designs.

Mariachi Tradicional Los Tios from El Manguito, a remote community in the Sierra Madre Occidental Mountains of Jalisco, perform in a distinctive regional style that has flourished for more than 150 years.

The contributions of interns and volunteers are vital to the success of the Smithsonian Folklife Festival.

Members of Chinelos de Atlatlahuacan come from the state of Morelos in Mexico. Their dance, still performed in communities today, originated in the 16th and 17th centuries and playfully mocks Spanish colonists.