When Wilde Moran moved to the United States, he opened the Rancho San Miguel de Aquia in Gainesville, Virginia, to raise Peruvian Paso horses.

On the second night of the Folklife Festival, Boston-based New Inca Son delivered a humorous and spirited performance in the Hirshhorn Museum’s Ring Auditorium.

Artist Aymar Ccopacatty knits, weaves, braids, and collages with recycled plastic bags that he collects mostly from his homeland of Peru.

Even after moving to the United States from Peru, Dayan Aldana continues to perform música criolla—a genre born from a mixture of Spanish, Andean, and African influences.

The 2015 Folklife Festival concluded on Sunday with the completion of the Q’eswachaka Bridge, a second Festival Community Day celebration of Peruvian culture in the United States, and a late-night dance party for all the participants back at the hotel!

After the Opening Ceremony of the 2015 Folklife Festival, 100 Cajoneros—an ensemble of Peruvians living in the United States—welcomed the Perú: Pachamama program to the National Mall.

One of the origin theories behind Marinera dance is the story of a soldier who, when riding through a village in coastal Peru, noticed a beautiful young woman.

Heavy rain shortened our Independence Day programming at the Folklife Festival, but visitors who braved the weather were able to see music, dance, and crafts traditions from across Peru.

The Ballumbrosio family and other members of the Afro-Peruvian group Tutuma invite visitors to join in this celebration as they provide the soundtrack: guitars, various percussion, a rattling quijada donkey jawbone, and infectious group vocals.

During the first Festival Community Day at the 2015 Festival, Peruvian dancer Steve Cotaquispe, who was born in Ayacucho, came from New York to present the danza de las tijeras—the scissors dance.